Big pores among other broad facial features. |
Are You My Family: Finding Kinship in the Africa Section of the Art Museum, pencil on Strathmore Smooth Bristol (animal free) Paper, 9" x 12," 2018. |
During this rough time, my depression continued gradually climbing. I experimented with over-the-counter bleaching creams to lighten up "my problems," not knowing what these harmful chemicals were creating within my cellular structure (likely damaging my whole teen life inside as well as out). I cannot be positive on my eventual realization that other people's problems with my body had nothing to do with me.
It happened along a painful, many years passing road.
Months ago, I was especially pleased to discover that an Afropunk highlighted artist featured "imperfect" models. Their hyperpigmentation, freckles, and stretch marks were documented as quite beautiful captures that we rarely see put on pedestals. I wish I could find out that artist, having not saved the information, but those photographs reenergized my self love.
The First Time I Saw Myself Was in the Africa Section of the Art Museum, pencil on Strathmore Smooth Bristol (animal free) Paper, 9" x 12," 2018. |
I was never a huge fan of foundation. Sure, I played around with it in those dreadful teenage days whilst paying close attention to application instructions from Seventeen and Teen Vogue. I had better luck with a few free makeovers at the mall. Still, it was bad enough finding my shade for the shade that I started growing fond of. I began asking myself, "what exactly am I trying to cover up?" I like the shade. I no longer cared about callous people saying, "you're too dark for this" or "you're too dark for that." I had the defining Penelope moment, loving my face as it is. I wear eye shadow every now and then. Blush sometimes. I love lip glosses and lip sticks. But by gosh, I love washing my face, blotting on moisturizer, and coconut oil, leaving the home just like that-- giant pores, pimples, hyperpigmentation, and all.
As January draws to a close, my confidence continues to build as I drift further away from societal beauty testaments.
No comments:
Post a Comment